Corn and Beans - Red Sky at Night Quilt
I was amused this week to discover that 'Corn and Beans', the name I've always had written next to this block in my notes, can only be called Corn and Beans if it's made from yellow and green! The block was first published by the Ladies Art Company, who sold mail order patterns, somewhere between 1890 and 1906. Then along came Carrie Hall in the 1930s, and claimed that if the colours weren't yellow and green, then the block was named Duck and Ducklings, or Hen and Chicks, or Shoo Fly, or Handy Andy. All of these names were, as far as we can tell, first published by Carrie Hall, but I cannot find out any more to the story. Did they all have colour codes? Or was she just recording the names she'd come across. Of course, the latter is more likely. Still, I've decided to be rebellious, and stick with my original name.
It got me thinking about rules in art. Which ones we break and which ones we keep. I've spent a little while recently looking through my old quilts, deciding which could be considered 'Modern', and if I'd enter them into Quiltcon this year. I've never really considered myself a 'Modern Quilter' in the strict sense of the word. I don't really improvise, I don't really use negative space, I'm not much into wonky. Am I only a Modern Quilter if I break the rules? Because the rules have served me, and others for a few hundred years. The more I make old blocks, the more I appreciate their timelessness. I like their sharp, classic lines that change mood depending on size or colour or contrast. I appreciate their inspiration and motivation, to tell stories, to fight against injustice, to warm their household.
So then I started thinking about what stories were important to me, what injustices I wanted to fight, what patterns I want to pass on so that others can tell those stories too. What shapes and lines express my concern for the politics of refugees? What celebrates the birth of my new nephew? What retells the old quilt stories that I want to make known so that we don't forget them? The ideas I've started to play with are inspired by the old techniques, much like modern music still uses a key signature, but they say something that's meaningful to me. They break rules, partly to play and see what happens and partly to make it my own. It makes me think that spending the year learning old quilt blocks and their history, has been a bit like learning classical piano. I now have the tools and ideas to compose my own music. I know what the rules do, and therefore which ones I can break.
I also know that back in the day, people changed block names all the time, so I'm keeping Corn and Beans!
CORN AND BEANS 12" BLOCK TUTORIAL
You will need:
Red: Five 4.5" squares, two 2.5" squares, four 2.5" x 4.5" rectangles.
White: Five 4.5" squares, eight 2.5" squares.
1. First, take the red rectangles and small white squares. Sit a white square over the rectangle as above and stitch diagonally through the centre. Trim the small outer triangle and press outward.
2. Repeat with another white square on the other side. Sew in the opposite diagonal direction to make a red triangle.
3. Match your 4.5" white squares to your red squares. Sew all the way around them.
4. Cut through the squares along both diagonals. Open and press.
5. Trim to 2.5".
6. Lay out as below.
7. Pair the little squares together into twos and sew. Press and sew those together to make 9 patches.
8. Sew the patches into rows. Press seams open.
9. Sew the rows together.
It's funny how many times I've wondered what I was thinking making this quilt this year, and how many times I've been so thankful for the process, for what I've learned. This week was the first time I'd likened it to learning my scales as a child. I know I'm going to appreciate this all the more as I embark on my future projects. And we're on the home stretch! Only 2 more blocks to go!